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Brother

Filmmaker Joanna Rudnick records calls with her brother in recovery from heroin addiction to create an experimental rotoscoped film that crosses between past and present.


Eddys World

EDDY’S WORLD tells the entertaining story of Eddy Goldfarb, a 98-year-old working toy inventor, best known for the iconic Yakity Yak Teeth and nearly 800 classic toys. He designed his first toys while on submarine duty during WWII, launching his 80 year career as an independent toy inventor.


Child of Lebensborn

Using rare archival and recent interview footage, Alliata documents the experience of a young Norwegian boy taken by the Nazis and forced to live in a Lebensborn orphanage designed to enhance the Aryan race.


Silhouette of Braids

For 50 years a family archive sat in the dark, until Rotem persuaded her mother Varda to watch her childhood anew. 8mm films were discovered as documentation of an amateur filmmaker, Varda's mother, who documented her life in Tel Aviv in the late 1960s. The films shed light on past memories mixed with the present and of mother-daughter relationships.


A Friendly Man

Joza’s humble appearance does not reveal his wild past. Now a tour guide in Jerusalem, once Israel's biggest cocaine dealer - he’s been constantly reinventing himself while making all the possible mistakes along the way.


Info Sessions: 2026 Grant Applications

Register for a free, upcoming info session on Zoom with JFI's Director of Filmmaker Services Marcia Jarmel if you're planning to apply for a 2026 Grant or simply want to learn more about the program, process, and JFI's support for filmmakers.


SFJFF46 Call for Entries

Submissions are now being accepted for the 46th San Francisco Jewish Film Festival, presented by the Jewish Film Institute. SFJFF46 returns to the Bay Area in Summer 2026.


2026 JFI Grant Applications

Applications are open January 25 – March 8 for the 2026 cycle of JFI grants.


All I Had Was Nothingness | WinterFest 2026

Forty years after the release of Claude Lanzmann's monumental film "Shoah," Guillaume Ribot reveals the director s relentless pursuit to tell the untold, using only Lanzmann's words and unseen footage from the masterpiece.