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Filtered By:
SFJFF 2017
Clear All
1945
In this astonishingly haunting film, deep undercurrents run beneath the simple surface in a quaint village that's ultimately forced to face up to its "ill-gotten gains" from the Second World War.
32 Pills: My Sister's Suicide
In this heartfelt documentary director Hope Litoff struggles with her own demons as she explores the life and death of her sister, Ruth Litoff. A gifted photographer, Ruth was as lovely as the artwork she created, but she struggled with mental illness throughout her life. The film charts Hope’s excavation of the belongings that Ruth left behind and Hope’s journey of exploration to learn more about her older sister.
Bobbi Jene
“I want to get to that place where I have no strength to hide anything.” After a decade of stardom in Israel as part of the illustrious Batsheva Dance Company, dancer/choreographer Bobbi Jene Smith at age 30 pursues a solo career in the U.S. Winner of the Best Documentary prize at the Tribeca Film Festival, Bobbi Jene is a portrait of a dancer which is as unflinching, wondrous and embarrassing as life itself.
Bombshell: The Hedy Lamarr Story
Notorious for a nude scene in the 1933 film Ecstasy, Hedy Lamarr became a sex symbol for the ages and achieved top stardom in Hollywood. But her deeper passion had to do with mechanics and technology. She was obsessed with creating useful inventions to benefit mankind, and her inventions were predecessors of wi-fi, bluetooth and cell phones. Spurned as too beautiful to be smart, she nonetheless upended stereotypes and serves as a role model to this day.
The Boy Downstairs
Zosia Mamet of GIRLS fame stars in this twentysomething romantic comedy that borrows the aesthetic and location of the popular HBO show. Mamet plays Diana, an aspiring writer who moves back to New York City after living in London. Three years ago she left behind mensch and loving boyfriend Ben (Matthew Shear). Now she returns to discover that he lives in the apartment below hers. Things are about to get complicated.
Bye Bye Germany
“After World War II approximately 4,000 Jews stayed in Germany. Later, none of them could explain to their children why,” we learn in Sam Gabarski’s Bye Bye Germany. This stylized, humor-laced drama devotes itself to answering this question by portraying the lives of a sundry group of survivors who remain in Germany immediately after liberation and are led by a charismatic, top hat–wearing jokester (Run Lola Run’s masterfully expressive Moritz Bleibtreu).
Dina
Dina and Scott are in love and planning a wedding, a stressful time for most couples. But they are not a typical couple. Dina is a 49-year-old woman with a tragic past. Scott is a Walmart greeter who lives with his parents. Both are adults on the mental development spectrum for whom love, sexuality and independence are fraught with challenges. Dina chronicles this poignant time in their lives as they search for intimacy and acceptance.
Fanny's Journey
Riveting from the first frame to the last, Fanny’s Journey is the true and absorbing story of a 13-year-old girl who is separated from her parents in Nazi-occupied France. Fanny is brave and determined and leads her younger sisters and a group of Jewish children towards sanctuary in Switzerland. Expertly directed and well acted, the film emphasizes the resilience of these young heroes and is especially relevant in the present moment.
Gilbert
If you think you know Gilbert Gottfried, the brash, shrill-voiced (“Aflac!”), boundary-pushing comic, think again. In this surprisingly candid documentary portrait, director Neil Berkeley reveals the foul-mouthed comedian in a whole new light as a loving husband and father of two young children. Featuring interviews with comics like Whoopi Goldberg and behind-the-scenes glimpses of Gottfried’s performances, Gilbert separates the man from the act, and what emerges is unexpectedly tender.
The Good Postman
Golyam Dervent, Bulgaria: When gentle village postman Ivan runs for mayor on the platform of welcoming Syrian refugees, the outcome of this humble election (to be decided by fewer than 50 voters) soon takes on all the trappings of a high drama campaign. This often funny, always absorbing documentary that screened at the Sundance Film Festival shows the uneasy confrontation of a small village with the wider world during a time of humanitarian crisis.
In Between
Sex, drugs, techno, and . . . Arab traditions? What sounds like an unlikely combination exerts a strong emotional attraction in this female dramedy about friendship, love and the search for independence by three young, hip, Palestinian women. When the Muslim—and religious—Nour moves in with hard-partying Laila and Salma, all three begin their own journeys of self-discovery and gain an understanding of the male-dominated society in which they live but refuse to reconcile themselves to.
An Inconvenient Sequel: Truth to Power
While many sequels do not live up to their predecessors, An Inconvenient Sequel: Truth to Power is a rare exception. A decade after An Inconvenient Truth, local filmmakers Bonni Cohen and Jon Shenk follow Vice President Al Gore as he continues his tireless efforts to alert the human inhabitants of this planet to the catstrophic consequences of climate change and the urgency to take action.
Intent to Destroy
One hundred years after 1.5 million Armenians were killed by the Ottoman Empire, Academy Award–nominated documentarian and this year’s Freedom of Expression Award recipient Joe Berlinger reveals the disturbing truth behind Turkey’s well-funded campaign of genocide denial, suppression and intimidation. Berlinger utilizes the filming of The Promise, a $100 million Hollywood film production ambitiously billed as the Armenian Schindler’s List, to explore this historical tragedy and its relevance to the barbaric genocides that followed.
Opening Night: Keep the Change
Under the guise of a New York romantic comedy, Keep the Change does something quite radical: In a refreshingly honest way it portrays two adults on the autistic spectrum. David desperately wants to be seen as “normal,” but Sarah accepts who she is. Together they navigate the vicissitudes of a burgeoning relationship. Writer/director Rachel Israel has an obvious affection for her characters, which infuses this poignant and funny film from the first frame to the last.
Levinsky Park
Over the past five years, tens of thousands of refugees from sub-Saharan Africa have sought relief and safety in Israel only to find a society bitterly divided on how to treat them. Filmmaker Beth Toni Kruvant examines Israel’s moral obligation to extend aid and comfort to the refugees and the role that race and religion play in the willingness of a community to accept them in their midst.
Little Stones
This inspiring documentary profiles four women, each putting tremendous effort into helping women around the world in unique ways. A Brazilian graffiti artist speaks out against domestic violence; a Senegalese hip-hop musician educates young women about the perils of genital mutilation; a classically trained dancer in India helps heal victims of sex trafficking through movement therapy; and a young American finds high-end U.S. markets for poor Kenyan women’s hand-sewn clothing.
Love is Thicker Than Water
In this modern-day retelling of the story of Romeo and Juliet, Arthur is a bike messenger from a working-class Welsh mining town and Vida is a cellist and daughter of a wealthy Jewish family from London. Their hipster romance takes on gratifying depth when their families—and their divergent backgrounds—come into play. The film feels simultaneously polished and experimental as it delicately explores hard questions about faith, love and devotion.
Menashe
Joshua Z. Weinstein’s Brooklyn-based Yiddish drama is an authentic, tightly written, compelling story for anyone jonesing to hear more than a bisl (little bit) of the mamaloshen (mother tongue). Menashe, a complex and lovable schlemiel, is a young widower deep in the heart of New York’s ultra-Orthodox Hasidic Jewish community who is fighting for custody of his son and struggling with his aversion to marrying again.
Paradise
A compelling tale of loss, betrayal and redemption, Andrei Konchalovsky’s bold, black-and-white World War II drama won the Venice Film Festival’s Silver Lion and was Russia’s entry in the 2017 Academy Awards. Three lives fatefully intersect when Russian countess Olga is arrested for sheltering two Jewish boys in Nazi-occupied France. Echoing the intensity of Laszlo Nemes Son of Saul, Konchalovsky’s deeply spiritual vision is a major contribution to Holocaust cinema.
Planetarium
Two séance-conducting sisters from America (the luminous Natalie Portman and Lily-Rose Depp) meet a silver-haired French film producer who vows to capture their communions with the dead on his own cinematographic medium. This handsomely reptilian producer, who is based on the real-life illustrious filmmaker who was executed at Auschwitz, Bernard Natan, may be enchanted by the young and beautiful sisters, but he casts a darker, stronger spell on them.
Rabbi Wolff: A Gentleman Before God
Willy Wolff escaped the Nazis, became a renowned British journalist and didn’t go to rabbinical school till he was in his 50s. Now in his 80s, he leads two communities in Germany and still finds time for yoga, learning Russian and enjoying the racetrack. We go behind the scenes to see the beautiful and sometimes heartbreaking life of a deeply religious man who is rarely seen without a twinkle in his eye.
Red Trees
The Willers were one of only 12 Jewish families to survive the Nazi occupation of Prague. More remarkably, they survived openly as Jews. Red Trees is an exquisitely filmed essay that chronicles the family’s life in the Czech Republic, their narrow escape from the death camps and eventual emigration to Brazil; it is both a testament to the human will to survive as well as a celebration of diversity and acceptance.
Voyage of the Damned
Haunting in its relevance for today’s refugee crisis, this star-studded 1976 film evokes the hopes and fears of a people uprooted from their homes en route to a promised land on the MS St. Louis, the ship that brought 937 Jews escaping Germany on the eve of the Shoah in 1939 to the shores of Cuba, where they are forbidden to disembark (only to then be similarly rejected by the United States and Canada)
The Young Karl Marx
Director Raoul Peck’s (I Am Not Your Negro) finely crafted period drama vividly brings to life the August, 1844 meeting between Karl Marx, a German philosopher and journalist exiled to Paris, and Friedrich Engels, the rebellious son of a wealthy factory owner. After Marx lobs a few barbs at the dandified Engels, a revolutionary bromance is born. Within a few years Marx and Engels founded the Communist League and created its defining document, the Communist Manifesto.
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